New album by Hagen von Bergen: Musical journey through time from March 19!

New album by Hagen von Bergen: Musical journey through time from March 19!

On March 19, 2025, the musician Hagen von Bergen published his new album "Time Flies". This work follows "Intelligent False" just six months after its last project. The music of Hagen von Bergen is described as a way to capture special moments and bring them into a musical form. The focus is on the complex relationships between space and time.

The opener of the album, "Look Inside", integrates industrialist influences and offers the audience a powerful start. Another remarkable track is "Chinese Music Under Banyan Trees", which combines synthetic sound landscapes with funky elements. The piece "Lithium", which is reminiscent of the Berlin school and is characterized by sequencer-controlled sounds, is also exciting. The album is rounded off by "Who is Dr. Wu", a 25-minute track that is described as a relaxing tribal trip. This diversity in music shows Bergen's endeavor to exceed tonal boundaries.

insight into the projects of Hagen von Bergen

The creative journey of Hagen von Bergen did not even start with his last albums. At the end of 2016, he planned a project with Christian Fiesel that discussed the sounds of everyday life and his experiences during air trips. The music that was created in this way, which became known under the title "Bulk Cargo), contains many samples that are processed in a unique musical context. The two musicians break in their project with common clichés of electronic music and create something new.

The album "Breakthrough" contains two long pieces that act as a bridge between the two double albums "The permanent river" and "Hagen’s Delight". The titles of the pieces, "Cunuler Sign 1" and "Cunuler Sign 2", reflect the topic and duration of 36:32 and 30:23 minutes each. This shows how sound and concept interlock.

The development of electronic music in the GDR

In order to fully appreciate the work of Hagen von Bergen, it is important to look at the context of the electronic music scene. In the GDR, electro -acoustic music had a subordinate role as well as its own multifaceted development process. The founding of the first studio for electronic music in the Eastern Bloc in Berlin-Adlershof took place in 1956 and was crucial for production and research in the field of sound art.

electronic music in the GDR developed under specific political and cultural conditions, which resulted in creative freedom, but also restrictions. Among the most important representatives of the scene are Georg Katzer and Lothar Voigtländer, who followed a wide variety of aesthetic approaches. However, electro -acoustic music is largely a research desideratum and is still unknown to many consciousness.

All of these aspects show how Hagen von Bergen is not only active in today's music landscape, but is also part of a larger context that is deeply rooted in the history of electronic music. His works are both a mirror of his own experiences and part of a constant development within music history.