Vampire film Blood & Sinners: Freedom, Crossover and Racism in the USA!
Vampire film Blood & Sinners: Freedom, Crossover and Racism in the USA!
Clarksdale, Mississippi, USA - Vampire history gets a fresh wind: With the film "Blood & Sinners" by Ryan Coogler, a new chapter in the myth of the bloodsucker is opened. TV-Media reports that the plot in 1932 in the Mississippi-Delta, where the after-effects of slavery are noticeable until today. The film illuminates the historical persecution of black entrepreneurs and artists by a white mob and does not ignore the central themes of the racist hierarchies in America.
The focus is on the twin brothers Smoke and Stack, who return from Chicago to open a "Juke Joint" in their hometown. The brothers, played by Michael B. Jordan, are working on their plan to buy an empty barn from a whites and to work on blues musicians such as the young priest's son Sammie. The Berliner Zeitung emphasizes that the opening of the dance shed is a great success, although the massive Uncertainty by the Ku Klux clan remains a threatening presence for the former slaves.vampirism as a symbol
In this bloodthirsty horror spectacle, vampirism is represented as a symbol of freedom and defense. The character Remmick, an Irish immigrant, tells of his experiences of humiliation and violence in the Anglo-Saxon American society. Here it becomes clear that vampirism is not only a creepy cliché, but also reflects the abysses of society that address racism and cultural appropriation. Deutschlandfunk explains that cultural appropriation is often carried out by members of the dominance culture, without taking into account the associated historical and social contexts. In “Blood & Sinners” this becomes clear when the representation of monsters always reflects the exploitation of the black population.
music plays an important role in the film, with composer Ludwig Göransson draws a diverse sound image that combines African ceremonian dances, hip-hop, blues and Scottish-Irish melodies. The film takes time before the vampire story really takes off and kidnaps the viewer into the second act. The dance and music scenes in the "Juke Joint" are among the highlights.
a bloody end
While the film begins calmly, the tension increases to a bloody finale in the third act, which will remember the audience for a long time. Critics emphasize that the film is not completely round regarding its narrative style, but "Blood & Sinner" remains a work worth seeing. The complex thematic interweaving opens the space for discussions about identity and cultural appropriation. This is also illustrated by the approach that the representation of vampires processes the real conflicts between different cultures and ethnic groups metaphorically.
It is striking that Coogler not only provides a horror spectacle with "Blood & Sinners", but also cushions a deeper reflection on social problems in America - a successful example that films can be far more than just entertainment.| Details | |
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| Ort | Clarksdale, Mississippi, USA |
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